born to be blue grant green

Born to Be Blue is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 and released on the Blue Note label. The lead track was ‘Someday My Prince Will Come’, a standard that originated from the 1937 Disney animated movie Snow White And The Seven Dwarfs. That version, with its subdued, late-night ambience, was very similar to Green’s, but the guitarist’s take spent 23 years in the can, alongside the rest of Born To Be Blue. The TP's have landed over here and looks like they're being stocked at most good outlets. You might have a buggy browser extension installed. Scroll down for the full Tone Poet release schedule and buy the reissues here.

Excellent sound quality. We are hoping to eventually work on a solution for this when we have the resources to do so. It does lack bass, sounding a lot like a Japanese mastering. Was agraid about issues mentioned on other posts, but no problem at all. I am disappointed. Sam Rivers: Contours (Blue Note, 1965), 1 May I've got them all so far, but I had to get them shipped from the U.S. (Music Direct / Blue Note online shop). Grant Green: Born To Be Blue (Blue Note, 1962) Born To Blue is comprised of sessions laid down for the Blue Note label in 1962. What else do you expect from GG? Perhaps I need to try out "Goin' West" and "Blues for Lou" as they are some of the few remaining 60's Blue Note titles of his I have not heard. Facebook: Twitter: Google+® 2018 ChilloutMusicChannel

This album and especially this version is Highly Recommended! done anything to warrant a ban, this is most likely the case. Grant's playing on this one is fantastic! You requested a very large number of pages in a very short time, causing problems for our server (this can happen if you hit 'refresh' over and over). Stanley Turrentine: Hustlin’ (Blue Note, 1964), 25 October Grant Green ‎- Born To Be Blue 180 GRAM REISSUE LP Blue Note/Tone Poet: Condition: Used. There are a number of reasons why there is so little interest in Grant Green in SHMF terms, (You must log in or sign up to reply here. Wayne Shorter: Etcetera (Blue Note, 1965) The St Louis-born guitarist, who joined Alfred Lion’s famous jazz label at the end of 1960, had the distinction – and disappointment – of seeing at least 11 of his album sessions consigned to the company tape vault, among them Born To Be Blue. Step 2 (optional): Enter any other comments/feedback here, Step 3: Enter your email address. You might be using a VPN. Green takes centre-stage first, faithfully enunciating the main melody before embarking upon a tasteful passage of improv in which he impresses with his lucid sound and clean articulation.

I had a listen to my Mono original copy last night to prime up for the stereo. Subscribe for free to stay connected to our channel and easily access our video updates! Baby Face Willette: Face To Face (Blue Note, 1961) The Grant's First Stand and Open Sesame are of course BN80's. It’s a sprightly swinger that features Quebec first; then Green takes up the baton, delivering a fleet-fingered solo that’s defined by a clear, flowing melodic line. Instead of playing it as a ballad, which was the norm in jazz, Green approached the tune with a different mindset, delivering a super-charged, high-octane version on which he and Quebec played the main theme in unison over Jones and Hayes’ light but propulsive swing rhythms. I love Born to Be Blue, I’m also a big fan of Sonny Clark and Ike Quebec’s Blue and Sentimental. Lou Donaldson: Mr Shing-A-Ling (Blue Note, 1967) Co-written by Al Jolson, ‘Back In Your Own Back Yard’ – previously recorded by Fletcher Henderson and Billie Holiday – increases the tempo a few notches. It cleaned up very nice, looks great and flat and quiet throughout.

Born To Be Blue’s closing track, ‘Count Every Star’, a Top 5 US pop hit for Ray Anthony And His Orchestra in 1950, originated from an earlier Blue Note session, on Monday, 11 December 1961, recorded with the same line-up. Standard style cover with a very crappy paper sleeve that I cut apart to avoid scuffing.

Loud clicks like a scratch but no scratch visible. It offers a vivid reminder of the guitarist’s abilities as a musician whose “less is more” aesthetic gave him a unique approach to his instrument.

Your IP was not banned by a person; it was banned by a firewall that uses an automated algorithm. Green’s solo highlights the leanness of his playing and minimalist aesthetic. This Video include 10 tracks of Grant Green.Subscribe for free to stay connected to our channel and easily access our video updates! [2], (Alternate take; Bonus track on CD reissue),, Short description is different from Wikidata, Album articles lacking alt text for covers, Creative Commons Attribution-ShareAlike License, Recorded at Rudy Van Gelder Studio, Englewood Cliffs, NJ on March 1, 1962, This page was last edited on 9 April 2020, at 16:28. This is sexy af jazz. Kenny Burrell: Introducing Kenny Burrell (Blue Note, 1956) Born To Be Blue (Expanded Edition), an album by Grant Green on Spotify.

Born To Be Blue’s title track is a Mel Tormé tune: a succulent slow ballad that begins with languorous legato phrases from Quebec’s breathy tenor horn, whose beguiling melodies are suffused with bluesy inflections.

Born to Be Blue is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 and released on the Blue Note label.

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